4 Misleading Writing Tips, Explained
by Pamela Ross
I’ve spent a lot of time avoiding writing by reading about writing, online and off. I’ve picked up some useful tips along the way, but a few maxims kept coming up that — in my opinion — require explanation. They’re not necessarily wrong, but without context, they’re less useful and could even reinforce lousy writing habits. Here are four writing tips that I find misleading — and the caveats I think they should come with.
1. Write Every Day
This advice isn’t bad in theory, but in practice can be discouraging if your lifestyle doesn’t permit uninterrupted time daily to write (I’m thinking especially about working parents and multi-hyphenates who juggle different gigs). Write every day if you can — but if you can’t, write whenever your schedule allows. Make time when possible for brainstorming, writing drafts, and revising works-in-progress. But if that doesn’t mean sitting down at a desk every day with a cup of tea and polishing your novel like someone in a stock photo, don’t sweat it.
2. Writing Is Rewriting
Of course, editing is important — but a good draft is easier to improve. While the writing process looks different for everyone, it’s simple to make your first draft more effective. Make sure you understand the parameters of the project — what’s being asked of you, what the client wants, and who you’re trying to reach. Then, draft something with the ultimate goal of using declarative, impactful language — don’t be too critical of what’s coming out. Then, rewrite as necessary. A little more work upfront saves you time and effort down the line. This tip is one Write Label creatives understand well — and it’s why they’re able to craft production-ready ads in ten minutes or less.
3. Get A Second Set Of Eyes
This tip is useful to the extent that someone understands the medium in which you’re writing, the intended audience, and the subject matter (especially if it’s industry-specific). So yes, get a second set of eyes on your copy — but only if it’s the RIGHT set of eyes. Be discerning in who you consult and realize that everyone’s perspective is limited. You have the ultimate grasp of the project — at least until the client comes back with notes!
4. There’s No Such Thing As “Perfect”
There’s no such thing as perfect in the existential sense — but to a client, “perfect” exists and they’ll know it when they see it. Or, if you’re lucky, they’ll give you clear directives about what they’re envisioning. Strive for perfection insofar as “perfect” means a) what the client’s looking for b) what the client’s ultimately satisfied with. Putting forth your best effort is worth it.
Pamela Ross is an Editor at WriteLabel.com. If you’re interested in becoming part of the world’s largest writers’ room, take the test. Writers we invite to the team earn $10 for their first submission.